By Binnie Christie, on behalf of The Movement RSA
As suggested by the name of our artistic collective, The Movement RSA seeks to move beyond our artistic comfort zones into new creative territories. One of these territories being writing which critically engages with the arts; aka ‘blogging’. Thus in 2017 we will be writing and releasing several articles, reviews and reflections which investigate all things theatre in South Africa
We believe that in order to make work, artists need to see work. Someone who has never been to the theatre, or who has not been to the theatre for a whiiiiiile, should not expect to make a show which is altogether relevant, new, or exciting compared to its current counterparts. By engaging with others we engage ourselves, assessing our work and its place (if any) in the industry.
By blogging The Movement RSA wishes to open up a space for all to engage in a critical conversation about art, I particular theatre. After watching a show, friends, family, partners and strangers will discuss or debate what they’ve seen, exposing themselves to different opinions and deeply interrogating all aspects of the production. These conversations are useful for audiences to digest what they’ve consumed, and critical for the creators to assess, affirm or improve their production. Our work is a product, and the audience are our consumers, so to feed their hearts, minds and soul we must cater and listen to them. Blogging allows an ongoing conversation where direct feedback such as Previews or Q+A’s are not possible.
A great motivation behind this project is that presently The Movement RSA feels there is a lack of diversity within local theatre critique, creating a monopoly of certain voices. When Googling “theatre critics in South Africa” the second website to appear is an article on Thought Leader by Sandile Memela entitled ‘Africa Has No Critics’(1). Though written eight years ago, the title and body of the piece point to several of current concerns, and begs important questions, such as: “where are the African critics, especially the young ones?”
It is problematic that the loudest voices seemingly come from a similar social background: middle-aged, privileged and white. I know this is ironic, given I’m at least two of those things, but the aim is to change all this, and this is only the first article of the blog after all…
The Movement RSA does not mean in any way to take away from the work of established critics; in fact we wish to do the opposite, and add to it. Nor do we pretend to be as knowledgeable, but perhaps we aim to be… We have opinions, and Wi-Fi (most of the time), and a dream for more audiences, artists and writers to engage with each other, given the incredible range of opinions out there.
To achieve this, our blog will be open to anyone who wishes to submit writing, or just leave a comment. The nine members of The Movement RSA seldomly agree on anything, particularly theatre, and so in keeping with the spirit of contradiction we invite you to join our great theatrical conversation.
All submissions will be showcased on our blog and social media sites (2), understanding that:
- Our aim is to build, not to knock down. No person can bash another person or work without suggesting ways they feel the work may have been better built (an architect doesn’t destroy a building without a better model in place).
- Our opinions are valid, provided they provide validation (i.e. – our opinions are not feelings; they must be backed by evidence). We don’t need Harvard referencing, just an example or two to substantiate your ideas.
- Let’s encourage critical engagement of theatre, grow the artists and audiences, and hear some different voices.
One writer is one voice. Many writers could be a revolution… But to get there we need individuals to have their say. Therefore the blog will be entitled “One Man’s Opinion”. Or “One Woman’s Opinion” depending… Actually, let’s call it:
ONE PERSON’S OPINION
What do you think? ‘Hate it or love it’ we’d like your 50 cents. So comment, share or write to us with your own stuff (using the email address email@example.com and the heading “One Person’s Opinion”).
1) Link to Memela’s Article: http://thoughtleader.co.za/sandilememela/2009/08/12/the-african-continent-has-no-theater-critics/
2) Find The Movement RSA on other social media sites:
Facebook Page: The Movement RSA (https://www.facebook.com/TheMovementRSA/)
Facebook Group: The Movement RSA (https://www.facebook.com/groups/1670441406538217/)
Twitter: The Movement RSA. @MovementRSA (https://twitter.com/MovementRSA)
Instagram: The Movement RSA. @the.movemet.rsa (https://www.instagram.com/the.movement.rsa/?hl=en)
3) The article image of ‘Shakespeare vs. the critic’ is taken from ATCA (American Theatre Critics Association): http://americantheatrecritics.org/